Lee Oskar 1910H Harmonic Minor Harmonica in various Keys
Well-suited for blues, rock, country, folk, and jazz. They’re more airtight, easier to bend, and better sounding than many harps. Modular design.Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee’s frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar’s insights as a seasoned recording and touring pro.
The Dane’s Design
Central to Oskar’s design is a smooth plastic comb that doesn’t swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player’s lips. By making affordable replacement reed plates available, Oskar’s harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy.
More Keys and Modes
Lee’s innovation didn’t stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar’s hard-won knowledge as a touring pro: .
About Lee Oskar
Even if you don’t recognize Lee Oskar by name, if you’ve listened to pop radio much, you’ve probably heard his highly personal mouth harp style on War hits like “The Cisco Kid,” “Low Rider,” and “Why Can’t We Be Friends.” Oskar’s staccato phrasing and uncanny tone-put to great use blowing horn-like unison riffs with saxman Charles Miller-gave War’s funky stew of Latino, Caribbean, African, jazz, rock, and R&B elements.
Features
Harmonica in harmonic minor tuning
Ideal for ethnic folk music, jazz, and classic show tunes
Was used extensively on Lee Oskar’s highly acclaimed first solo album
Keys of A,Ab,B,C,D,E,F
